PEPA MUSICALITY CLASSES:
Her Musicality classes are 100% practical. We work on the verticality of Music, from dance: we study the different musical lines that are heard at the same time in a tango. If you can hear them, you can choose which line to dance and how to dance it. Separate those lines and teach, with the dance and with concrete musical examples, the main rhythmic and melodic elements that we find in the Traditional Tango Orchestras. Pepa is a graduate of the Conservatory of Music of Buenos Aires (in Tango and Folklore) and has specialized in musical training for tango dancers for the last 8 years.

Mi, 18. Juni 2025

19:45 - 20:45 open class for unserer Mala Junta Mittwoch Milonga - alle Infos findet ihr hier ...
Topic: Rhythmic Games and Musical Bridges
We are going to work on musical verticality. How we can dance different musical lines at the same time and we can choose what to do and how to do it at each moment. We will work with different Orchestra. But, especially, with Carlos Di Sarli and Angel D’Agostino
Preis 15 Euro pro Person und ihr könnt auch allein kommen

Außerdem wird Pepa auf der Milonga unsere Djane sein!

Sa, 21. Juni 2025

WS 1) 13:00 - 14:30 OSVALDO PUGLIESE ORCHESTRA Arrastre and SINCOPAS in the grown
● How to recognize and apply the use of 4 and 1 (in the beat) and Syncopation in dance. 
● Introduction to Osvaldo Pugliese 
● Stop Time 
The "drag/ Arrastre" is a very common musical element in some Typical Orchestras, especially in Pugliese, but there are many that use it. Here we begin to get into musical "accents." In this case how the 4 of the measure is accented in a "linked" way and in syncopation

**No need to come as a couple but is better

WS 2) 15:00 - 16:30 BIAGI ORCHESTRA
● The Weak Times in Biagi's Orchestra 
● Accent in 2 
● Accent in 4 
Accent in 2 and 4 One of Biagi's most distinctive musical elements is his use of Weak Tempos. How do we recognize and dance them? That's what makes a good dancer different. 

**No need to come as a couple but is better 

WS 3) 17:00 - 18:30 ANIBAL TROILO ORCHESTRA SINCOPAS & TUTTIS
● How to recognize and anticipate the “Sincopas” in Troilo's Orchestra in his different stages: 
● 1) Stage 1: the 40s 
● 2) Stage 2: the 50s 
● Introduction at the Fluctuating Tempo 
The musical vocabulary of the Anibal Troilo Orchestra is very broad. In this class we are going to focus on a type of syncopation. How to recognize them in music (and anticipated them) and how to transfer them to dance: walking and in sequence.

 **No need to come as a couple but is better

Die Buchung der Workshops kann online in unserem Buchungskalender vorgenommen werden. Wenn ihr dabei Hilfe braucht, meldet euch bei uns! anmeldung@malajunta.de

Booking here online in our booking schedule If you still need a partner or if you have further questions, please write to anmeldung@malajunta.de

Pepa gibt auch gern Einzelstunden, bitte meldet euch bei Julio: calderon_tango@hotmail.com

PEPA BIO: 
Pepa Palazón, is a graduate of the Superior Conservatory of Buenos Aires music (Tango and Folklore) and Tango Dancer. She specializes in teaching music to Tango Dancers, from the basis of Musical Audioperception (how to learn music from perception, from movement) She has been organizing one of the most popular milongas in Buenos Aires, Argentina for 14 years: "Viva la Pepa! Milonga". As well, Pepa has been dancing tango for 19 years, and she has been teaching regularly in Buenos Aires and worldwide for 11 years, giving classes for all levels. At the same time, she makes a tv program dedicated to recovering the Living History of Tango Dance, called "Tengo una pregunta para vos" (I have a question for you) that you can watch for free on her youtube channel.